Roussimoff
Speaks About Recent Artwork
This title “A
Russian Views America” was given to describe a series of works created over the past few years.
Paintings in this genre are ongoing in my repertoire of themes. Creating these works
has been one of the most challenging experiences. When asked what country today
I most identify with, I can only respond that I am a citizen of God’s world.
My true homeland has always been the world lived on my canvases. On a practical plateau,
I have been the consummate world traveler, living in a variety of lands. Over the years, although I have spent
considerable periods of time in the
United States, for some reason I never felt familiar enough
with the country to be able to paint it. During recent years however, I
broadened my horizons and luckily was
able to travel more extensively through America. And in the process, I
discovered a new language. And I became inspired to paint. Being European, I was moved by a uniquely lyrical spirit in America,
one not commonly appreciated or even recognized. What now spoke to me was a sensibility which was
universal. One which placed these favourite American cities amongst other
great international metropolises,
Paris, Munich, Venice, all of which I love dearly. Here now are a few examples
of works from this series inspired by the great cities of America.
MIAMI BEACH,
FLORIDA
SOUTH
BEACH
CAFÉ LIFE
30inches x 40 inches Oil on Canvas
This was the very
first work I had done in the series. I had been instantly enamoured with
South
Beach
which reminded me of the great European
Riviera. At the time, I had no idea I would be doing other works depicting my
interpretations of American cities.
SPAIN IN MIAMI

CARNIVAL IN MIAMI
36 inches x 48 inches Oil on Canvas
One of the most picturesque areas in Miami Beach
is called Espanola Way. In this work I used the sensuous, almost
exotic neighborhood setting as a backdrop for a Carnival,
timeless in spirit. This area with its unique old-world Spanish architecture
added much to what I see as Miami Beach's
European aura. In this composition I placed a host of figures from the
carnival, the circus and the sideshows. There are Jesters, dancing Pinheads, a Bearded Lady, Jo-Jo the Russian Dog Faced Man, a
Magician as well as the great 17th century Spanish old master Velasquez, Don
Quixote and Sancho Panza.
ATLANTIC
CIT
Y
A great ever growing amusement center on the
Eastern
Coast
of the
USA
. Second to
Las Vegas
in spirit, I have enjoyed many visits here over the recent times.
THE BOARDWALK OF ATLANTIC CITY
30 x 40 oil on canvas
With seagulls constantly flying overhead,
one should never be surprised at unwelcome droppings. In the distance is
American tycoon Donald Trump’s ornate “Taj Mahal Hotel and Casino”. This is a great
looking building. With its onion-like domes it reminds me of classic Russian
architecture. On the left side is the Hard Rock Café with its murals of Elvis
Presley and its bustling outdoor café.
HOLLYWOOD, CALIFORNIA
One of my favourite cities. The ultimate testimonial to creativity and art in America.
Having made films myself, I am passionate about cinema. And the history of
Hollywood Cinema is something I have lived with since childhood. To this day, it
is the classic films which continually stimulate
and inspire me.
HOLLYWOOD ETERNAL
36 x 48 oil on canvas
That which is truly great is eternal. Here I wanted to pay homage to
Hollywood
at its finest. Although certainly many more great artists warranted inclusion,
choices had to me made. In my first tribute to Hollywood I have included Charlie
Chaplin, Buster Keaton, Harold Lloyd, Bette Davis, Peter Lorre, Clark Gable,
Erich Von Stroheim, Laurel & Hardy, Edward G. Robinson, Rudolph Valentino,
Mae West, Eric Campbell, The Three Stooges, The Marx Brothers, Lon Chaney Sr.
(as the Phantom of the Opera), John Wayne, Boris Karloff (as Frankenstein’s
Monster), Gibson Gowland, Fred Astaire, Ginger Rogers, the Wizard of Oz stars
(Judy Garland, Ray Bolger, Jack Haley, Bert Lahr & Toto). I also included a
small portrayal of mystical Guru George Ivanovitch Gurdjieff as a news vendor.
This was done because of the heavy influence of mysticism in
Hollywood
circles at the time. Also within the group is the dwarf performer, Major Noble
George Washington Winner who was with Ringling Brothers Barnum and Bailey
Circus. Incidentally, Harold Lloyd appears wearing the official
Fez
of the “Al Malaika” Shriners
Temple
, of which he served as Imperial Potentate. On the right side of the composition
once can see the old
Hollywood
Masonic
Temple. This building now serves as the studio of the “Jimmy Kimmel Live”
television program.
LAS VEGAS,
NEVADA
While Coney Island may once have been
known as
America
’s playground, I find that today the moniker belongs hands down to Las Vegas.
Gaudy and Kitsch though it may be, I love the place. A brilliant vision that
stands on its own as an icon of the times.

LAS VEGAS RAZAMATAZ
30 x 40 Oil on canvas
Las Vegas Boulevard
is huge beyond belief. With artistic license I condensed the scene to include
certain landmarks. The hotel casinos
Riviera, Wynn,
Paris, Mirage and
New York,
New York. I even depicted the landmark sculpture of magicians Siegfied and Roy.

SUN OVER LAS VEGAS
30 x 40 Oil on canvas
The Casinos, the Circus, the sexy
visitors on the bridge. The sun smiles down over a panorama which stretches from
the MGM Casino to the Paris. Circus charechters are wonderful to paint. So
similar to what I painted in Miami Beach, here
too are clowns, a Bearded Lady, Magicians and a Jester carrying balloons. There is
the famed P. T.
Barnum discovery, the “midget” General Tom Thumb alongside his wife Lavinia
Warren. Also on the bridge are two Freemasons wearing their ritual aprons.
(Below are details from "Sun Over
Las Vegas")


SUN OVER LAS VEGAS
There is a distinctly carnival-like atmosphere
to Vegas that isn't really like anyplace else. Below is a painting of Las
Vegas where I allowed the spirit of merriment and amusement to guide my brush.

BOARDWALK CASINO, LAS VEGAS
24 x 30 Oil on canvas
This particular Casino, quite literally
belongs to history. With its “Surf Buffet”, it was patterned to symbolize
old-time
Coney Island
. The Casino was recently demolished.

OTHER RECENT
PAINTINGS
CARNIVALS,
CIRCUS,
RUSSIA,
UKRAINE, JUDAICA:
In old
Ukrainia,
Russia, Belorussia
or Poland
it was a big day when the carnival came to town. The tents and attractions were
usually set up in a part of the largest Market Place which usually was located
in proximity of a Church. The townsfolk all came by to see the wonders. Some
came with the intent of partaking of every single ride and amusement while
others came out of mere curiosity, to only get a brief glimpse of the colourful
festivities. Talk about ethnic and cultural diversity! Everyone came together at
the sideshows and the markets. Peasants and gentry alike. In any given Ukrainian
town, the ethnic mix would include local Ukrainian, Hassidic Jewish, (sometimes
Polish and Russian residents, Czarist Police officers and Cossack Hetmans. Its
funny how in today’s politics they enjoy throwing around the word “diverse”as if it is something recently discovered. That may be propaganda, but it is not
reality.

CARNIVAL SIDESHOW
36 x 48 oil on canvas
(details below)







CARNIVAL SIDESHOW
Next (below) is another recently
completed work dealing with the theme of a sideshow in old Ukraine.

CARNIVAL FESTIVITIES
36 x 48 oil on canvas
(details below)









CARNIVAL FESTIVITIES
Below is a relatively recent portrait of
a celebrated Russian circus personality of the 19th century.
“THE RUSSIAN DOG FACED MAN”
24 x 30 oil on canvas

The above work represents a man named Adrian
Jeftichew who was afflicted by a condition of excessive hairiness called
Hypertrichosis. A circus personality for much of his life, Jeftichew’s fame
was eclipsed by his equally hairy son who was known professionally as “Jo-Jo
the Dog Faced Boy”. With the collapse of the
Soviet Union
, by luck I recently was able to acquire transcripts from a series of interviews
conducted in the 1920’s by Soviet researchers with surviving members of the
extended Jefticheff family. The information I gathered debunks virtually every
morsel of information about these people that has been floating around for ages
(both the promotional & the researched). I plan on eventually putting this
rare material to use, Perhaps in another film. In any event, what impresses me
most in the hairy so-called “Freaks” like
Adrian
or Jo-Jo is that these individuals convey a unique dignity. They seem less like
freaks and more like people who should really be no other way.
MY WORLD OF LOVE
The spirit of the old Slavic and Jewish
traditions have been my closest language of expression. And I enjoy continuing
to work in this very inspirational venue. Here are some paintings recently
completed.

“WINTER EVENING” 24 x 36 oil on canvas
(details below)





“WINTER EVENING”
The quaint, rustic villages of Russia and
Ukrainia are deeply embedded within my soul.

“CHANGING SEASONS” 16 x 20 oil on canvas

“MARKET SQUARE”
14 x 18 oil on canvas

“VILLAGE ACROBATS” 11 x 14 oil on canvas

“BEFORE CHRISTMAS” 14 x 18 oil on canvas

“SNOWFLAKES” 16 x 20 oil on canvas
“MAGICAL SUMMER FLOWERS”
24 x 30 oil on canvas

“ARRIVAL OF WINTER”
24 x 30 oil on canvas

“UKRAINIAN
VILLAGE
SUMMER EVENING” 11 x 14 acrylic
on canvas-panel

“SERENADE: A UKRAINIAN LOVE SONG”
16 x 20 oil on canvas

“MAGIC RAINBOW” 12 x 16 oil on canvas
SPIRITUALITY
In the pre war world of
Eastern Europe, there once were many Synagogue buildings built entirely from wood. These were truly
amazing in their intricacy of architecture. Artistically speaking, these sacred buildings
provide nourishment for creativity. Here I painted one such exquisite
house of worship. The setting is a Ukrainian village or the outskirts of town.
It is a Sabbath or holiday afternoon and worshipers have gone outside during an
intermission in services. Since women were separated from men, we see a group of female
attendees standing in the distance at the left. The Jewish clothing is accurate
historically. The large round fur hat is known as a “Spodik”.
The shorter one is the “Shtreiml”.

“ANCIENT WOODEN SYNAGOGUE”
24 x 30 oil on canvas
(details below)





“ANCIENT WOODEN SYNAGOGUE”
Below is my vision of an old Synagogue
located in a larger city.

“THE GREAT SYNAGOGUE” 24 x 30 oil on canvas
(details below)


“THE GREAT SYNAGOGUE”
Since childhood I felt an immediacy and
sense of timelessness when reading the Holy Bible. Each biblical personality was
a complex study not only in ethics and morality but also in psychology. The
ongoing saga of humanity is mirrored in each biblical episode. Below is one of
my Old Testament canvases.

“ABRAHAM SACRIFICING ISAAC”
30 x 40 oil on canvas
This theme from the Bible I find to be
highly relevant in our turbulent times. It is a great saga about love, devotion
and truth. This painting was actually begun in 1973 and for some reason I never
finished it. Recently I looked at the incomplete work and with a fresh sense of
inspiration I went to work and completed it. My belief has always been that
civilization is a revolving ball. Much progress, though both impressive and
frightening does not break this revolving process. Therefore whatever happens
within the human experience in our day, I can find its analogy in the Bible. And
within a broader scope, in a way this is can be comforting.
-Roussimoff
January 2008
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MORE ABOUT THE SOUTH BEACH PAINTING
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Straight from the artist's frequent travels comes the
wonderfully entertaining ”OCEAN BEACH CAFE NIGHTLIFE”, a
picture with a distinctly international flavour. This is an
Authentic Signed and Dated, Ari Roussimoff Oil on Canvas
Painting from the year 2004. Painted in Miami's legendary,
"Ocean Beach"! This sparkling gem measures an almost
monumental 30 x 40 inches. A very large and captivating
painting with much intricate high-detail work. Rendered in
strikingly Expressionist colours and playful Cubist shapes,
this fabulous work is painted with a sense of joy that
genuinely hypnotizes the viewer. ”OCEAN BEACH CAFE NIGHTLIFE”
depicts the lively and energetic experiance of being at that
almost European-like atmosphere of the Ocean Beach Florida
cafes as seen through the eyes of Roussimoff, a frequent
traveler throughout the world. This painting presents a
delightful invocation of the colourful crowds experiencing the
almost mystical effect of a carnival-like night, rich in
colour and excitement. The blue ocean and beach are on the
left with a bevy of cafes and restaurant on the right. People
are exhilarated to be in this great exotic tropical landscape.
The scene is bathed completely in the passionate lights of
both the local environment as well as the moon. The classic
Art Deco architecture of the hotels and structures are
beautifully melded with a wide array of very interesting
looking people. Poets, Tattooed Bikers, Couples, Singles,
Voluptuous and Sensual Women share the space with Energetic
Children, Friendly Dogs, Beach Bums, a Group of Masons dressed
in their distinctive Red "Shriner" Fez hats and even a Circus
"Bearded Lady" with her two Rambunctuos Little Kids.
Roussimoff, who is not only an esteemed painter, but a
director of movies as well, makes reference to the favorite of
his movies, "Freaks Uncensored", which he has painted on a
T-Shirt worn by a man in the front. This whimsical and
engaging work makes for a nice complimentary contrast to the
artist's many depictions of "Old Mother Russia". With
warmhearted wit and a good natured lustiness, Roussimoff
brings us this radiant, jewel-like painting. Guaranteed to
brighten up any room and collection!
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"OCEAN BEACH CAFE NIGHTLIFE"
Oil on Canvas by Ari Roussimoff
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